________________ CM . . . . Volume V Number 14 . . . . March 12, 1999

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The Wicker Man. (Dark Paths Series 1).

Allan Frewin Jones.
London, UK: Macmillan Children's Books (Distributed in Canada by McClelland & Stewart), 1998.
151 pp., pbk., $5.99.
ISBN 0-330-36806-0.

Grades 5-8 / Ages 10-13.
Review by Mary Thomas.

** /4

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The Plague Pit. (Dark Paths Series 2).

Allan Frewin Jones.
London, UK: Macmillan Children's Books (Distributed in Canada by McClelland & Stewart), 1998.
165 pp., pbk., $5.99.
ISBN 0-330-36807-9.

Grades 5-8 / Ages 10-13.
Review by Mary Thomas.

*** /4

excerpt:

The Wicker Man

Frankie looked at the others. 'We were thinking of coming along to watch,' she said. 'But do you mean we could actually join in?'

'Why you simply must!' said the old lady...Her gaze fixed on Frankie. 'And you, my dear, will make the most beautiful May Queen... And you, young man,' [her] eyes fixed on Jack. 'You must be Jack! You really must!'

'Yes, I am', said Jack in confusion...

'Jack-in-the-Green', said the old lady....We need a beautiful young lady and a handsome young man to complete the line-up of characters for the festivities. Your lovely friend here shall be the May Queen and you shall be Jack-in-the-Green---and at the end of the day you'll be burned on the Beltane bonfire just like in the old days.'...

'Wow', murmured Regan. 'Way to end a party, Jack.'

Plague Pit

Jack flipped over the pages of his notebook. 'Oh yes,' he said, 'here's something really interesting. Like for instance did you know that the nursery rhyme "Ring a ring o' roses" is all to do with the plague?'

'Is it?' asked Tom. 'How come?'

'Well the line "Ring a ring o' roses" refers to the red pock marks that broke out on people's skin when they got the plague,' said Jack. 'And the line "a pocket full of posies" is to do with the fact that people carried posies of flowers around with them to ward off the horrible smell of the plague victims.'

'And "Atishoo, atishoo"?' asked Tom.

'The early symptoms were a bit like flu apparently,' explained Jack. 'Sneezing and so on.'

'Right, I see,' said Tom. 'And I suppose "We all fall down" is pretty obvious.'

'Yup. All fall down', said Jack. 'Dead!'

These two books, the first of the "Dark Paths" series, are another attempt to take advantage of the present popularity of the horror story. Their starting point is a group of four adolescents, all of whom belong to their school's archeological club (known for some unexplained reason as ACE---Archeological Club Extraordinaire?). This is their "in" at digs in the vicinity of their English town, and initiates their adventures.

      In The Wicker Man, the excavation finds the remains of a horse which had been the sacrificial victim at an Iron Age Celtic festival for May Day, or Beltane. This desecration appears to anger the gods, and at least two of the townspeople feel that appeasement is only possible if a real human sacrifice is included the modern re-enactment of the festival. And one of the four friends is chosen to be that sacrifice.

      The Plague Pit comes closer to our own times, with the accidental opening of a pit where the bodies of victims of the Great Plague of the seventeenth century have been hastily buried. Included among the dead was the body of a doctor who had played on the fears of his rich fellow villagers, giving them a "cure" which instead actively infected them so that the doctor could steal their effects. Again the opening of the site meant that the spirit of evil was freed to roam and our four friends were in the way.

      Digging up the past is a good excuse for telling the reader all about it, and the books do this rather well. By having spirits of earlier times haunting the present, whether they take over one of the children, or someone else, or both, the author can introduce a lot of history in very exciting, palatable, form. The facts are not stored in separate paragraphs labelled "Skip me" to the sharp eye of the fiction lover but are seamlessly blended into the story line. The short "Afterword" of condensed history encapsulates the background information usefully enough that it might turn up in a school project. Certainly the history as presented could well stimulate interest in the period in question.

      After the opening chapter, which, rather in the style of the old Nancy Drew mysteries of my childhood, gives all the names, ages, essential physical features, and distinguishing characteristics of the protagonists, the stories begin rather well. The archaeological background is interesting, and things start to happen right away. Tensions build, the plot develops and deepens satisfactorily, but the endings are a bit of letdown. Having a girl infected by the spirit of the evil doctor suddenly split into two persons, herself and the doctor, when threatened by an 11-year-old wielding a cricket bat does resolve the action, but strains credulity.

      The stories stretch other limits as well. The American slang used by one youngster is outlandish "to the max," and the thought of one of these children managing to wade through two years of Pepy's diaries in the course of an afternoon, searching out references to the plague is mind boggling. But the stories are interesting, their backgrounds are authentic and seem pretty accurate, and so, on the whole, I think this series is worth a read. There will be lots of opportunities---four more volumes are scheduled to appear by July 1999!

Recommended with Reservations (The Wicker Man).
Recommended (Plague Pit).

Mary Thomas is taking a busman's holiday, working in the library at Oxford Brookes University while on leave from elementary-school libraries in Winnipeg.

To comment on this title or this review, send mail to cm@umanitoba.ca.

Copyright © the Manitoba Library Association. Reproduction for personal use is permitted only if this copyright notice is maintained. Any other reproduction is prohibited without permission.

Published by
The Manitoba Library Association
ISSN 1201-9364

TABLE OF CONTENTS FOR THIS ISSUE - MARCH 12, 1999.

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