________________ CM . . . . Volume X Number 9 . . . . January 2, 2004

cover

Boy O’Boy.

Brian Doyle.
Toronto, ON: Groundwood, 2003.
161 pp., pbk. & cl., $12.95 (pbk.), $18.95 (cl.).
ISBN 0-88899-590-3 (pbk.), ISBN 0-88899-588-1 (cl.).

Subject Headings:
World War, 1939-1945-Canada-Juvenile fiction.
Ontario-Social conditions-1918-1945-Juvenile fiction.
Child sexual abuse-Juvenile fiction.

Grades 7-9 / Ages 12-14.

Review by Betsy Fraser.

**1/2 /4

excerpt:

He says I'm such a good singer in the choir. The best singer in the choir. He wants to give me a hug because I'm such a good singer. I can't see his face. Then he doesn't give me a hug. He pulls me behind one of the stone pillars of the gazebo.

"Shh!" he says. "There's somebody coming. We don't want them to hear us. I don't like those boys."


Martin O'Boy, often called Boy O'Boy, lives an unrelievedly grim life in Ottawa as World War II is winding down. At the beginning of the story, his granny dies, his family is being investigated by two church ladies who think that his parents are not taking proper care of him, and he finds out his best friend Billy Batson's father isn't a war hero either, but in a lunatic asylum. Martin thinks that he finally has a chance for something good when he is invited to join a choir for which he will receive pocket money. Even this turns into something more along the lines of his regular existence when Mr. George, the choir's organist, who had been treating him to movies, sundaes and days out, molests him. Martin is initially unable to tell anyone about the situation until it appears that Mr. George has turned his sights on Billy, at which point Martin turns to Billy's mother for help. Martin and Billy come up with a plan to seek vengeance on Mr. George that will put him in the spotlight and, in the end, they find a trusted adult in whom they can confide and seek help and protection.

     Brian Doyle's writing is consistently lyrical and beautiful. He is able to convey through character dialogue a consistent and clear picture of setting and timeline. Billy Batson's use of "Shazam!" is both amusing and appropriate for the period. However, unlike most of Brian Doyle's books, there is in this book very little sense of joy or hope offered to any of the characters: Martin is tricked into buying over sized shoes when shopping, going for ice both he and his best friend are teased mercilessly, and both of them are molested. The graphic nature of the abuse, drunkenness, and other violence experienced by the characters lifts this book into Young Adult, which may cause some confusion, bearing in mind the angelic looking youngster on the cover.

Recommended.

Betsy Fraser is a Youth Services Librarian with Calgary Public Library.

To comment on this title or this review, send mail to cm@umanitoba.ca.

Copyright © the Manitoba Library Association. Reproduction for personal use is permitted only if this copyright notice is maintained. Any other reproduction is prohibited without permission.
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The Manitoba Library Association
ISSN 1201-9364
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