MOO
Sally Clark
Toronto, Playwrights Canada, 1989. 132pp, paper, $9.95
Volume 18 Number 1
Clark's two-act play is rather reminiscent of silent film comedies; with almost fifty scenes darting abruptly backwards and forwards in time, it has the jumpy motion of early movies, and the seventeen broadly drawn characters are as hard to track as a "cast of thousands." The incidents of the plot, covering about fifty years, arise out of Moo's love for Harry, who marries her, shoots her on two occasions, commits her to an insane asylum, deserts her, and continues to send her taunting postcards from his travels with other women. Harry's character is not welt enough defined to give the reader any sympathy with Moo's obsession, to which she sacrifices her life, unable to love her child as she pursues Hairy to various exotic locations. Productions of Moo in Calgary, Victoria and Toronto were highly praised for their black humour and comic energy, qualities only faintly conveyed by the printed word. Not recommended for younger readers. Pat Bolger, Renfrew, Ont. |
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